- MAC STUDIO FIX POWDER HOW TO
- MAC STUDIO FIX POWDER SKIN
- MAC STUDIO FIX POWDER FULL
- MAC STUDIO FIX POWDER PROFESSIONAL
MAC STUDIO FIX POWDER SKIN
Next up is my Environ Vita-Peptide C-Quence Serum 2 - it keeps my skin bouncy and beautiful. Then it’s the Augustinus Bader the Exfoliating Toner/the Essence or the Eve Lom Time Retreat Radiance Essence. When I get home, my skin still does not feel clean, so I cleanse again with a mix of Golde’s Clean Greens Face Mask and Biologique Recherche Lait VIP O2 Oxygenating Milk Cleanser. I follow it up with a mild cleanser like Cerave. Right after the show, my lashes come off I go to the sink and massage my face and eyes with grape-seed or coconut oil. That’s all to say that I do a lot of cleansing at night - some people double-cleanse, but I triple-cleanse.
MAC STUDIO FIX POWDER FULL
Then I do a full contour, blush, eyeliner, and false lashes. We add powder on top of that - because of the pandemic and because we’re wearing a face mask at all times unless we’re on the stage, I typically use M.A.C’s Studio Fix (I’m shade N4) so everything stays in place. We start with a grease concealer under our eyes and then a liquid foundation that’s waterproof (it’s by the brand Mehron), and your pores cannot breathe at all. On skin care: We wear full theatrical makeup for performances because we’re performing in a very large theater under hot lights. That’s how Get Golden started, even before I decided I wanted to start my own business. They’re refined-sugar-free, dairy-free, and gluten-free because those are my triggers. I became known as the girl that always brings in healthy baked goods (like apple cinnamon buckwheat donuts with lucuma caramel). So I started making snacks and bringing them to my friends and the ballerinas. I’ve tried to find a balance in that because I don’t ever want to eat something that tastes disgusting or bad, but you do have to have a different mind-set when you have a job that’s so demanding of your body. I want to eat to feel good, but it’s not even an option to not eat well either, because my body is my instrument. She’s my nutritionist, and together, we figured out the foods that I am able to eat and those that I can’t. I couldn’t even eat avocados and bananas because my whole system was so inflamed and angry, so I started seeing Dana James. On how she eats: When I came out on the other side of my injury, I had developed all these food sensitivities and allergies. Drinking warm water with lemon really helps with my stomach in the mornings. That is not good for my digestion, but if you don’t eat after the show, you don’t repair your muscles, and I start to feel really weak and brittle.
Now, we finish shows around 9:30 p.m., so I don’t end up eating dinner until 10:30 p.m. So to me, wellness is the optimization of my whole self - mentally, physically, and emotionally - to be in this career, yes, but also the optimization to be my most healthy and my best self outside of my job.Ī post shared by Jenelle Manzi the first thing she does in the morning: Because we had 18 months off, I was eating dinner at a normal time, around 7:30 p.m.
MAC STUDIO FIX POWDER HOW TO
My identity as a ballerina, that I have known for so long, was completely stripped from me - I literally had to learn how to walk again in a pool. This cycle took two years, and it was the most humbling and grounding experience of my life. They got irritated and broke off, and I needed surgery to remove them and repair my tendon. I had two extra bones in the back of my heel - one in three people have them. On her definition of wellness: When I was 18, I had a tendon tear. “I created it out of a need for a feel-good boost of energy to get me through a day of rehearsing and performing.” Below, Manzi breaks down the practices that keep her dance-ready. Her sweet but chewy Savor bars are gluten-free, dairy-free, and vegan, but still “tasty,” she promises.
MAC STUDIO FIX POWDER PROFESSIONAL
She’s also been running Get Golden, her snack company inspired by her wellness journey as a professional dancer. The return to Lincoln Center was “incredible” but “wild and complicated,” says Manzi, who has been with the company since she was 16 years old. In August, Jenelle Manzi, a New York City Ballet ballerina, put on her pointe shoes and began training again after an 18-month break because of the pandemic.
Photo-Illustration: by The Cut Photo: Jenelle Manzi
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